Paul Faris

Beyond his artistic achievements, Faris played a key leadership role in shaping the industry’s creative direction. As Bally’s Art Director, he nurtured and mentored a new generation of pinball artists, including Greg Freres and Kevin O’Connor, helping to establish a lasting legacy of excellence in pinball design. When pinball faced challenges from the rising video game industry in the 1980s, Faris adapted by expanding his artistic work into arcade cabinets and later transitioning into freelance pinball art, contributing to Data East and Sega titles such as Back to the Future (1990), Teenage Mutant Ninja Turtles (1991), and Phantom of the Opera (1990). His ability to evolve with the industry, from traditional hand-drawn art to digital enhancements, ensured his continued relevance in pinball’s changing landscape. Even after stepping away from full-time pinball work in the 2000s to focus on teaching, Faris remained connected to the industry, participating in events and lending his expertise to newer projects, including a brief role at deeproot Pinball in 2018.

Faris’s contributions to pinball extend far beyond his personal artwork; he helped elevate the entire medium, ensuring that pinball machines were not just games, but also works of art that told compelling visual stories. His influence is still seen in modern pinball, as contemporary manufacturers draw inspiration from his rich, illustrative style, and digital pinball platforms preserve his work for new generations of players. Inducted into the Pinball Expo Hall of Fame in 2006, Faris is widely regarded as a legend in the field, with fans and industry veterans alike praising his creativity, technical innovation, and leadership. His legacy endures in every pinball machine that prioritizes artistic immersion, proving that great pinball art is as timeless as the silver ball itself.