
Dave Zabriskie
Music · Sound · Callouts
Pedretti Gaming, Bally, Williams, Gottlieb, International Concepts · 1987–1997
- 33
- Games
- 1987
- First game
Games

Theatre of Magic
199595/100 (18)Bally
Cue Ball Wizard
199293/100 (5)Gottlieb
Tales of the Arabian Nights
199692/100 (7)Williams
Scared Stiff
199688/100 (7)Bally
Super Mario Bros. Mushroom World
199269/100 (6)Gottlieb
Cirqus Voltaire
19974 ratings so farBally
Class of 1812
19914 ratings so farGottlieb
Lights...Camera...Action!
19894 ratings so farGottlieb
Super Mario Bros.
19924 ratings so farGottlieb
Bad Girls
19883 ratings so farGottlieb
Street Fighter II
19933 ratings so farGottlieb
Surf 'n Safari
19913 ratings so farGottlieb
Tee'd Off
19933 ratings so farGottlieb
Cactus Jack's
19912 ratings so farGottlieb
Deadly Weapon
19902 ratings so farGottlieb
Diamond Lady
19882 ratings so farGottlieb
Jack•Bot
19952 ratings so farWilliamsCallouts only

Johnny Mnemonic
19952 ratings so farWilliams
Robo-War
19882 ratings so farGottlieb
The Flintstones
19942 ratings so farWilliams
Car Hop
19911 rating so farGottlieb
Hoops
19911 rating so farGottlieb
Night Moves
19891 rating so farInternational Concepts
Vegas
19901 rating so farGottlieb
Victory
19871 rating so farGottlieb
Big House
1989Gottlieb
Bone Busters Inc.
1989Gottlieb
Caribbean Cruise
1989International Concepts
Excalibur
1988Gottlieb
Operation: Thunder
1992Gottlieb
Silver Slugger
1990Gottlieb
Title Fight
1990Gottlieb
TX-Sector
1988Gottlieb
About
Dave Zabriskie is a renowned composer and sound designer who played a pivotal role in shaping pinball audio during the late 1980s and 1990s. Beginning his career at Gottlieb/Premier, he created some of the most distinctive and memorable soundtracks in pinball history, including TX-Sector (1988) and Class of 1812 (1991). His work helped push pinball audio beyond simple electronic tones, incorporating multi-layered compositions, dynamic sound effects, and even humor—like the famous ‘clucking chicken’ rendition of the 1812 Overture. In the early 90s, he transitioned to Williams/Bally, where he composed for some of the industry's most beloved titles, including Theatre of Magic (1995), Tales of the Arabian Nights (1996), and Cirqus Voltaire (1997). His ability to create immersive, theme-driven music set a new standard for pinball sound design.
Zabriskie’s influence extended beyond individual games; he played a significant role in implementing evolving audio technology, from early FM synthesis to high-fidelity Digital Compression System (DCS) sound. He collaborated with designers, software engineers, and voice actors, ensuring that music and effects seamlessly integrated into gameplay. His leadership in audio departments at Williams/Midway helped professionalize sound production in pinball, influencing how modern machines incorporate cinematic and dynamic soundtracks. His expertise later transitioned into the broader gaming industry, where he continued composing for casino games and interactive entertainment.
Today, Zabriskie’s legacy lives on in the lasting appeal of the games he worked on, as well as in the continued evolution of pinball sound design. His compositions remain fan favorites, and many of the machines he contributed to are celebrated as some of the greatest of all time. His pioneering work in thematically rich, interactive audio laid the groundwork for modern pinball and gaming soundtracks, ensuring his influence endures in arcades, tournaments, and digital pinball recreations alike.
Original Designs
Credited as the original designer of the game these remakes are based on, not for work on the remake.
Kineticist Articles
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