
- 44
- Games
- 1964
- First game
Art Stenholm was a prolific pinball artist active primarily during the 1960s and early 1970s, creating over 80 backglass and playfield designs for major manufacturers like Gottlieb, Williams, and Bally. After starting at Advertising…
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Tic & Toc
1974Europlay
Aquarius
1970Gottlieb
Baseball / Batter Up
1970Gottlieb
Flip-A-Card / Card Trix
1970Gottlieb
Groovy / Crescendo
197076/100 · 6 ratingsGottlieb
Polo / Mini Cycle
1970Gottlieb
Scuba
19702 ratings so farGottlieb
Snow Queen / Snow Derby
1970Gottlieb
College Queens / Airport
1969Gottlieb
Mibs
19691 rating so farGottlieb
Road Race / Stock Car
19691 rating so farGottlieb
Skipper
1969Gottlieb
Spin-A-Card / Hearts and Spades
1969Gottlieb
Target Pool / Mini Pool
1969Gottlieb
Wild Wild West / Lariat
1969Gottlieb
Big Jack
1968Gottlieb
Domino / PlayMates
1968Gottlieb
Elite Guard
1968Gottlieb
Four Seasons
1968Gottlieb
Fun Land / Fun Park
19681 rating so farGottlieb
Royal Guard / Palace Guard
1968Gottlieb
Spin Wheel
1968Gottlieb
Apollo / Blast Off
1967Williams
Hi-Score / Super Score
1967Gottlieb
King of Diamonds
19672 ratings so farGottlieb
Sea Side
1967Gottlieb
Sing Along / Melody
19672 ratings so farGottlieb
Surf Side
1967Gottlieb
8 Ball
19662 ratings so farWilliams
Central Park / Hurdy Gurdy
1966Gottlieb
Dancing Lady
1966Gottlieb
Masquerade
19662 ratings so farGottlieb
Subway / Cross Town
19663 ratings so farGottlieb
Aces High
1965Bally
Alpine Club / Ski Club
1965Williams
Eager Beaver
19651 rating so farWilliams
Moulin Rouge
1965Williams
Bus Stop
1964Bally
Heat Wave
19641 rating so farWilliams
Mad World
19641 rating so farBally
North Star
19641 rating so farGottlieb
Palooka
19643 ratings so farWilliams
River Boat
1964Williams
Stop 'N' Go
19642 ratings so farWilliams
About
Art Stenholm was a prolific pinball artist active primarily during the 1960s and early 1970s, creating over 80 backglass and playfield designs for major manufacturers like Gottlieb, Williams, and Bally. After starting at Advertising Posters Co. in Chicago—where he learned from celebrated artists Roy Parker and George Molentin—he took over many of Gottlieb’s art projects following Parker’s death in 1965. Though never employed directly by a pinball company, Stenholm’s work shaped the visual identity of numerous electromechanical titles, including classics like King of Diamonds, Fun Land, and Crescendo. His art style combined bright colors, dynamic scenes, and an inclusive portrayal of both men and women, helping to define the era’s vibrant aesthetic and attract players from across the arcade floor.
A hallmark of Stenholm’s approach was his close collaboration with game designers. He aligned his illustrations with each machine’s theme—be it boxing, carnival amusements, or racing—and often adapted his style to new gimmicks such as animated backglasses. By depicting women as active participants rather than passive observers, he pushed pinball art toward a more inclusive direction. His designs were also technically clever: strategic use of transparency and layered silkscreen printing allowed certain sections of the backglass to light up or animate in tandem with the game’s features.
Today, Stenholm’s legacy is preserved in museum exhibits and collector circles, and his signature works remain in high demand among pinball enthusiasts. Posthumously honored by the Pinball Expo Hall of Fame, he is recognized as one of the industry’s great golden-age artists. His art continues to influence modern pinball design, underscoring the essential role that high-quality, thematically resonant artwork has played—and still plays—in the enduring appeal of pinball.
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